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Tom Waits, Alice CD cover artwork

Tom Waits, Alice

Audio CD

Disk ID: 1122261

Disk length: 42m 28s (14 Tracks)

Original Release Date: 2002

Label: Unknown

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Tracks & Durations

1. Alice 4:28
2. Everything You Can Think 2:56
3. Flowers Grave 3:28
4. No One Knows I'm Gone 2:00
5. Kommienezuepadt 3:11
6. Poor Edward 3:42
7. Table Top Joe 3:11
8. We're All Mad Here 2:32
9. WatchNer Desappear 2:31
10. Reeperbahn 2:56
11. I'm Still Here 1:50
12. Fish &Bird 3:59
13. Barcarolle 3:59
14. Fawn 1:38

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

The grizzled modern persona of Tom Waits finds new life on Alice, a slow, grave record that explores physical and moral decay with the same harrowing insight of 1992's Bone Machine. Originally written as an opera with his longtime songwriting partner, playwright Kathleen Brennan, the songs on Alice were performed live in a Hamburg theater for 18 months in 1992 and 1993, but were never committed to tape (officially, at least). This studio recording retains a sense of narrative cohesion, giving Waits a set of tormented and bizarre characters that go well with the motley crew he's assembled over the years. It is, in fact, the most consistent record of Waits's career, offering not only a stable train of thought, but a musical approach that, while featuring the same vaudevillian touches that have characterized his work since Swordfishtrombones, finds a voice all its own. Without much percussion to back them up, violins, cellos, and horns dominate the record, bathing Waits's familiar growl in a sly, slow cacophony that sounds like an underwater fugue, the notes like rust on the strings. "Watch Her Disappear," with its sparse, sad pump organ, and the twisted torch song "Reeperbahn" have the smoky café mystery of Edith Piaf by way of Leonard Cohen, recovered from the water-logged tapes in Cole Porter's long-lost dingy. It's a burst of dark, world-weary poetry for lonely Saturday nights, cloudy days on the beach, or long strolls through graveyards. --Matthew Cooke Alice has been called Wait's long-lost masterpiece. Originally performed as an opera directed by Robert Wilson for Hamburg's Thalia Theatre in 1992, but left unrecorded until 2001. The show ran for a year and a half using an unusual orchestra designed by Waits to underpin the songs co-written with his wife Kathleen Brennen. Rather than being directly based on Lewis Carroll's Alice In Wonderland and Through The Looking Glass, the Waits-Brennen Alice takes inspiration from feelings remembered and dreams recalled after reading the books. Released simultaneously with Blood Money.

Other Versions

Albums are mined from the various public resources and can be actually the same but different in the tracks length only. We are keeping all versions now.

Alice

Tracks: 13 (-1 tracks), Disk length: 43m 43s (+1m 15s)

Alice

Tracks: 14, Disk length: 46m 28s (+4m)

Alice

Tracks: 15 (+1 tracks), Disk length: 48m 24s (+5m 56s)

Alice

Tracks: 15 (+1 tracks), Disk length: 48m 25s (+5m 57s)

Alice

Tracks: 15 (+1 tracks), Disk length: 48m 26s (+5m 58s)

Alice

Tracks: 15 (+1 tracks), Disk length: 48m 54s (+6m 26s)

Alice

Tracks: 23 (+9 tracks), Disk length: 1h 14m 29s (+32m 1s)

Alice

Tracks: 28 (+14 tracks), Disk length: 1h 19m 18s (+36m 50s)

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