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Sean Callery, 24 CD cover artwork

Sean Callery, 24

Audio CD

Disk ID: 2016896

Disk length: 1h 3m 15s (21 Tracks)

Original Release Date: 2004

Label: Unknown

View all albums by Sean Callery...

Tracks & Durations

1. "24" Theme 4:38
2. Up and Down Stairs 2:45
3. L.A. at 9:00 AM 1:57
4. Jack on the Move 2:20
5. Jack's Revenge at the Docks 4:02
6. Kim & Terry's Escape From the Safe House 2:03
7. Jack in the Limo 2:42
8. In Pursuit of Kyle 2:38
9. Salazar's Theme 1:54
10. 'Copter Chase over L.A. 2:30
11. Jack Tells Kim He's Not Coming Back 2:13
12. The Bomb Detonates 2:39
13. Palmer's Theme 1:49
14. Alexis 2:04
15. Coliseum Finale 1:57
16. Amnesia 2:14
17. Jack and Kim Trying to Reconnect 3:06
18. Terry's Death 5:33
19. Jack's Humanity 2:14
20. CHRISTIANSANDS TRICKY 3:53
21. "24" Theme - The Longest Day 7:52

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Creator/producer Joel Surnow's hit action-suspense series largely turns on an innovative fusion of real-time plot line delivered by aggressive camera work and multi-frame editing technique. But no small part of the show's intensely propulsive drive -- and much of its dramatic tension and atmospheric textures -- are consistently delivered by the music of young composer Sean Callery, who's won three straight Emmy nominations (winning once) for his contributions to the series. The composer personally selected and annotated the tracks for this anthology of his best work from the show's first three seasons, anchored by a complete version of the show's usually truncated theme. Though it shares similarities with Michael Giacchino's work on Alias, Callery's work here is consistently darker, an electro-organic fusion that spans tense, brooding orchestral passages and thrashing dollops of metallic-edged techno. Yet the composer also delivers moments of melodic, almost mournful solitude, while the third season's story line inspires some evocative Latin influences as well. Callery's background in sound effects editing contributes much to the rich sonic textures here, yielding a pioneering approach that portends a bright future for the composer. --Jerry McCulley

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