Rory Block, I'm Every Woman - 49m 3s

Tracks & Durations

1. Guitar Ditty	1:15
2. I'm Every Woman	3:40
3. Fool for you	2:59
4. Sea Lion Woman	1:23
5. Ain't No Grave Can Hold My Body Down	3:55
6. Tired of Being Alone	3:34
7. Love TKO	4:21
8. Rock Island Line	2:19
9. Talkiin' "Bout My Man	5:41
10. Ain't Nothing Like The Real Thing	3:27
11. Pretty Polly	5:10
12. Hold on/Change is Coming	5:02
13. I Feel Like Breaking Up Somebody's Home	5:36
14. Guitar mDitty 2	0:33

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Talk about your odd left turns. Rory Block, mainly known in the blues world for her acoustic Delta stylings, doesn't quite plug in her guitar for I'm Every Woman (yes, the title track is a cover of the Whitney Houston tune), but there are some electric instruments in there, right enough. Perhaps not content with sticking to the Delta, Block wanders further afield than usual with this CD, exploring gospel, R&B, and folk territory. For her backing band, Block has a host of guest stars that would do anyone proud: Pacific Northwestern folk-bluesman Kelly Joe Phelps, Piedmont mainstays Paul Rishell and Annie Raines, contemporary blues star Keb' Mo', Saffire's Gaye Adegbalola, and Block's own son Jordan are among those Block duets with, to excellent results. This release will certainly surprise Block's fans--especially the Whitney Houston cover--but her talent, sincerity, and heartfelt expressiveness carry the day. --Genevieve Williams

Other Versions

Albums are mined from the various public resources and can be actually the same but different in the tracks length only. We are keeping all versions now.

I'm Every Woman

Tracks: 14, Disk length: 49m 46s (+0m 43s)

Please note: we do not provide any Rory Block music downloads, have no any mp3 music including music samples and music ringtones, and can not assist you where to buy music CDs and used CDs. You can search for it on music sites all over the Internet or visit one of our advertisers. We appreciate any ideas and comments about this experimental music database.