Rockapella, In Concert - 1h 8m 49s

Tracks & Durations

1. I Am Your Man	2:33
2. Dancin' in the Streets	2:09
3. That's the Way	3:23
4. Let's Get Away From it All	2:09
5. This Isn't Love	2:53
6. Pretty Woman	2:23
7. Where in the World is Carmen SanDiego?	4:13
8. Blah Blah Blah	2:36
9. Stand By Me	3:14
10. Where Would We Be?	3:18
11. Wonderful World	3:31
12. Tempted	3:38
13. People Change	3:35
14. Use Me	3:31
15. Dock of the Bay	2:58
16. Zombie Jamboree	3:04
17. Keep on Smilin'	2:58
18. 16 Tons	2:42
19. The Lion Sleeps Tonight	2:30
20. Moments of You	3:14
21. Change in My Life	4:58
22. Long Cool Woman in a Black Dress	3:06

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Today's popular music has reduced it to a kind of subgenre--sometimes singled out by the label "unplugged," as if it were like taking to a cabin with no running water for a week--but the practice of "a cappella" vocalism (i.e., voices alone without accompaniment) is the heart and soul of singing. Natural as it seems to the ear, it's true virtuosity that enables the vocal quintet Rockapella to hold audiences spellbound. Ever since their street-performing days in late-1980s Manhattan, the group has evolved a style of sweet close harmonies and acoustical illusions all the more impressive for the effortlessness with which they carry it off. That "second-nature" quality of sounding so natural frees Rockapella up to work their charms before an audience, as they do in this recording of a concert given to an enthusiastic crowd in Santa Barbara, California, in December 2000 (also available as a DVD release). The program includes many songs bearing Rockapella's signature stamp, such as "Zombie Jamboree," "The Lion Sleeps Tonight," "Pretty Woman," and of course their theme number "Where in the World Is Carmen Sandiego?"--which calls for a classic workout of Jeff Thacher's jaw-dropping (if you will) vocal percussion. There are also examples of the group's devout balladry, such as their cover of "A Change in My Life." It's amusing to observe the effects of individual members--Barry Carl's benthic bass, for example--as they work the crowd. From street-corner barbershop to Carnegie Hall, Rockapella define singing into a variation of breathing, with a flow that's natural and organic. --Thomas May

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