Niacin, Time Crunch - 56m 12s

Tracks & Durations

1. Elbow Grease	5:19
2. Time Crunch	3:15
3. Stone Face	6:11
4. Red	8:00
5. Invisible King	4:28
6. Daddy Long Leg	5:18
7. Hog Funk	5:08
8. Glow	3:06
9. Damaged Goods	4:24
10. Outside Inside Out	5:02
11. Blue Wind	5:53

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Review

A fast, fluid, fun, and out-of-the-box jazz/fusion exploration, Time Crunch features the immense talents of bassist Billy Sheehan (Mr. Big, Talas, David Lee Roth), keyboardist John Novello (Chick Corea, Andy Summers), and drummer Dennis Chambers (George Clinton, Stanley Clarke). Their pedigrees are as impressive as the intricate instrumental odyssey they travel though as Niacin. The triumvirate's fifth outing is full of rich, jazzy, classic-rock-influenced explorations that also have sensual and sonorous sides. Fans of progressive rock will enjoy the covers of King Crimson's moody, ominous "Red" and Jan Hammer's elaborate and memorable "Blue Wind." With the exception of the gentle and reflective "Glow" (which is dedicated to Novello's late wife), the disc's 11 intense and impressive tracks possess a sense of fun and lightness that won't scare off jazz newbies. --Katherine TurmanSupergroup Niacin's 2002 release on Magna Carta is the incredible (and critically embraced) "Time Crunch" - 11 new tracks from 3 of the heaviest hitters in music today. Billy Sheehan lays down the overall vibe for the project: "Well, a lot of the songs that I contributed, I wrote around bass lines, which is kind of cool. It adds a little bit of a different structural quality to the songs, or structural lack of quality if you prefer (laughs). With my writing contributions in the past, I would work with John in his studio. But this time I wrote a lot of stuff in my own studio, so I had to do my own drum tracks as demos, for Dennis to work from. So some of the stuff I put into the computer as drum tracks made sense when you listened to them, but they were kind of impossible for a human being to actually play. But Dennis, being true to what we expect of him, played them anyways (laughs). He did some amazing drum transitions and grooves, which I really would challenge a lot of other players to be able to do at all and still make them sound smooth. He really did an amazing job. And of course the record overall is just a little bit heavier and aggressive than we had gone before, a little bit more toward progressive rock than the fusion or jazz direction. We definitely went more towards some of our late '60s, early '70s prog rock roots, people like King Crimson, PFM, Gentle Giant, early Genesis and of course, Emerson, Lake & Palmer, a classic B-3 band, and one we often get compared to. Both John and I as writers have many, many influences. We've both gone in many directions in our years of playing. And a good part of that is that you have a big bag of tricks to pull from. So we have a lot of things that we can reference or use as inspiration." Fans of progressive rock will enjoy the covers of King Crimson's moody, ominous "Red" and Jan Hammer's elaborate and memorable "Blue Wind."

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