Limbeck, Let Me Come Home - 39m 42s

Tracks & Durations

1. People Don't Change	3:18
2. Long Way To Go	2:52
3. Everyone's In The Parking Lot	3:18
4. Making The Rounds	2:43
5. Sin City	4:10
6. Usually Deluded	3:36
7. Names For Dogs	2:05
8. Watchin' The Moon Rise Over Town	2:19
9. Home (Is Where The Van Is)	2:19
10. Television	3:13
11. To Hell With Having Fun	3:16
12. I Saw You Laughing	3:42
13. '91 Honda	2:40

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

If it's true that "Home Is Where the Van Is," as the ninth song on Limbeck's third record indicates, then this Orange County, CA foursome often resides in Atlanta, Austin, Minneapolis, Seattle and on every tour step in-between. The hard-traveling, studio-vibrant band leans on the carefree Southern Cal rock stylings of pre-Henley Eagles and Poco, and the shoot-from-the-hip delivery of debut-album Wilco and Big Star's Radio City, to bottle its own brand of pop wielding country-rock. Co-producer Gary Louris of the Jayhawks recorded the band live, adroitly plugging into Limbeck's on-stage stash for 13 songs that contemplate being yourself ("People Don't Change"), generational inevitability ("Names For Dogs") and passing the Golden State smog test--with a sandy wink at the Beach Boys ("'91 Honda"). Complemented by keyboards, accordion, harmonica, glockenspiel, sitar and many-a-guest backing vocal, Let Me Come Home plays like a coherent set list from a band you hope will play all night. --Scott HolterLimbeck have built a foundation of Big Star and Tom Petty-inflected power pop that has evolved into their own take on classic rock. Limbeck's Let Me Come Home is the culmination of all of their previous songwriting-a gritty, mid-tempo bunch of rock tunes that levels Limbeck's contemporaries with momentum, fury and humor. Limbeck have fashioned themselves as the Kerouac of rock and roll.

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