John Powell, The Bourne Supremacy - 49m 16s

Tracks & Durations

1. GOA	3:04
2. The Drop	3:46
3. Funeral Pyre	2:25
4. Gathering Data	1:58
5. Nach Deutschland	2:44
6. To The Roof	5:36
7. New Memories	2:52
8. Berlin Foot Chase	5:18
9. Alexander Platz	3:38
10. Moscow Wind Up	6:58
11. Bim Bam Smash	5:13
12. Atonement	1:39
13. Extreme Ways	3:57

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Review

Novelist Robert Ludlum's amnesia-plagued, tough-as-nails spy/assassin Jason Bourne again proves that success begats sequels, be they literary or cinematic. As he did for the saga's initial big screen installment, composer John Powell concocts an electro-orchestral fusion score that seasons its tense, bristling rhythms with dollops of melodicism, synth-atmospherics and staccato string figures. Those welcome touches hearken back to composer's similar work on the '03 action-thriller The Italian Job, with Powell initially evoking the film's exotic locales by employing a savory synth pop-meets-Eastern European palate. The tension-building rhythms and percussion flourishes familiar from Powell's other action-centric scores are the score's musical pulse -- even if they eventually upset the finely honed balancing act by boiling over into the familiar explosive cliches of all too many thriller scores. --Jerry McCulley

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