Israel Kamakawiwo'ole, Facing Future - 57m 14s

Tracks & Durations

1. Hawai'i '78 introduction	5:07
2. Ka Huila Wai	3:22
3. 'Ama'ama	2:16
4. Panini Pua Kea	3:09
5. Take Me Home Country Road	4:58
6. Kuhio Bay	3:33
7. Ka Pua U'i	2:57
8. White Sandy Beach of Hawai'i	2:39
9. Henehene Kou 'Aka	4:24
10. La 'Elima	3:42
11. Pili Me Ka'u Manu	2:35
12. Maui Hawaiian Sup'pa Man	3:55
13. Kaulana Kawaihae	4:03
14. What A Wonderful World	5:10
15. Hawai'i 78	5:15

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

To gauge the magnitude of Israel Kamakawiwo'ole's popularity in his native Hawaii, consider this: following his death in 1997 (at age 38, attributed to his profound obesity), Kamakawiwo'ole's body lay in state in the state capitol, only the second person to receive such an honor. Kamakawiwo'ole's appeal lies in his love for prestatehood, precondominium Hawaii and the expressiveness of his gently passionate voice, which can float through higher registers with an ease that brings Johnny Mathis to mind. Several selections ("Ka Pua U'i," "White Sandy Beach of Hawai'i," the sun-kissed "La 'Elima") feature Kamakawiwo'ole in a traditional mood, using only his ukulele to adorn the charm of his native lyricism. Others, such as the Jimmy Buffett-like "Maui Hawaiian Sup'pa Man" add playful contemporary touches that suit Kamakawiwo'ole's style. Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black. --Terry WoodThere's a smart balance of traditional Hawaiiana and contemporary tunes on this CD. There's heart-tugging warmth along with unexpected chuckles. The end result is a candid, honest reinforcement of his vocal breadth.

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