Barry Gray, Captain Scarlet - 1h 19m 2s

Tracks & Durations

1. Century 21 Sting	0:10
2. Opening Titles (Pilot narration)	0:48
3. End Titles (Semi-vocal version)	1:23
4. Winged Assassin - Suite	4:38
5. Staccato Beat	0:04
6. Big Ben Strikes Again	1:33
7. Until Midnight (Radio music)	2:22
8. Avalanche - Mountain Pass	1:12
9. Avalanche - Deadly Mist and Mountain Chase	4:24
10. White as Snow (Episode version)	3:26
11. Manhunt - Suite	4:07
12. Model Spy - Models on a Train	2:31
13. Model Spy - Cocktail Music	3:27
14. Lunarville 7 - Suite	4:52
15. Point 783 - The SHEF March	2:34
16. Expo 2068 - The Reactor	2:33
17. Commercial Stings and Commercial Break	1:04
18. Fire At Rig 15 - Rig 15	2:48
19. The Inquisition - Piano Track	3:23
20. The Trap - The Fate of the XQR	1:31
21. The Trap - Castle Glen Garry	4:51
22. Attack on Cloudbase - Desert Symphony	5:13
23. Attack on Cloudbase - The Mysterons Attac	3:13
24. Spectrum Strikes Back - Suite	8:29
25. End Titles (Song version)	1:28
26. Main Titles	0:48
27. White as Snow - Commercial version (Stereo)	3:11
28. Captain Scarlet Theme - Commercial version (Stereo)	2:47

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

In the '60s and '70s, British producer Gerry Anderson created a beloved sci-fi cult literally out of plaster, string, and wire. The techno-future--and admittedly kitschy--appeal of Anderson "supermarionation" puppet shows like Supercar, Fireball XL-5, and The Thunderbirds have charmed successive generations so completely that they even inspired an Orbitz.com commercial campaign. This collection chronicles the music of arguably Anderson's most technically advanced and dramatically mature series, composed by longtime Anderson collaborator Barry Gray. With its more realistic tone, Gray leans heavily on brassy, military music and evocative cues that recall some of John Barry's mystery-enhancing work on the Bond series. Fans of Gray's distinctive pop-rock kitsch won't be disappointed by tracks like "White Snow" (in two versions, including a previously unreleased stereo mix), the electro-exotica of "Lunarville" or lounge-y charms of "The Inquisition" and "Until Midnight." The action cue mini-suite "Spectrum Strikes Back" perfectly encapsulates the composer's energetic tack and use of unexpected, neo-Asian moods and modalities, music that often gracefully belies its modestly budgeted TV roots. --Jerry McCulley

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