Adrian Legg, High Strung Tall Tales - 1h 10m 25s

Tracks & Durations

1. Celandine	3:21
2. The Crockett Waltz	4:01
3. The Cool Cajun	4:27
4. Song For Di	3:38
5. Sweetheart	3:20
6. Meditation	6:02
7. Hispanic Theme	1:44
8. Thirds	2:54
9. Major Theme	2:58
10. Naive II	3:27
11. Silent Night - The Movie	3:16
12. Mud & Jigs	3:30
13. Paddy In The Synagogue/The Pregnant Folksinger	3:22
14. Sharon Puckett's Knees	3:23
15. The Irish Girl	5:14
16. Profiles In Hormones	6:35
17. Quennie's Waltz	2:28
18. Two Duties	2:03
19. Meditation Reprise	3:17
20. Nasenhaarmechismus	1:14

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Adrian Legg comes out of the British "baroque folk" guitar tradition of Bert Jansch, John Renbourn, and Richard Thompson, and like his predecessors, Legg plays the Anglo-Celtic roots of folk, country and classical "early music" with a chamber musician's ear for precision and harmony. On his new album, "High Strung Tall Tales,'' Legg displays a rare knack for combining strong melodic lines with arpeggiated harmonies in such a way that they flow with a graceful unity. Guitarists love him for his ability to pull off these one-person "duets," but lay listeners will love the sheer beauty of melodic and harmonic interplay.

"High Strung Tall Tales" serves up a generous serving of 20 tracks, covering all the far-flung aspects of Legg's career. You have the improvised, unaccompanied guitar of "Naive II"; the six studio collaborations between Legg's acoustic guitar and various other musicians; the four movements of his classically influenced "High Strung Suite"; and a sampling from a live show in Philadelphia in February, including four solo guitar tunes and five monologues delivered in his deadpan British delivery.

The collaborations include a lovely guitar-and-snaredrum duet, "The Crockett Waltz," and an irreverent garage rock mugging of the Christmas carol, "Silent Night." The suite captures Legg's playing at its most intricately virtuosic, and the live tracks document the wild humor and musical simplicity that make his concerts so special. --Geoffrey Himes

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